Unlicensed: Bootlegging as Creative Practice painting from the Bankinter main offices

from the Bankinter main offices or the museum in Mérida

It scrutinizes Israel as a singular modernist project—unprecedented in its relative scope and rates of growth

elusiveness

an architect

we finally decided to make a return to the country that continues to deserve all of our attention

Unlicensed: Bootlegging as Creative Practice painting from the Bankinter main officesOver the last few decades the term bootlegging has become understood as a creative act. The debates about homage, appropriation, and theft that are common in the art world are now being held in the sphere of corporate branding, social media, and the creative industry as a whole. Bootlegging has become fetishized as an aesthetic in and of itself, influencing everything from underground record labels to DIY T shirts, and from publishing ideologies to