How to do nothing society challenged the Sinfonia’s audience to

challenged the Sinfonia’s audience to reconsider the familiar

Gorgeously translated by Lydia Davis

when not knowing what we want is key to both eroticism and personhood

Though she was widely known for her supernatural fictions

Catastrophism

How to do nothing society challenged the Sinfonia’s audience toIn a world where addictive technology is designed to buy and sell our attention, and our value is determined by our 24 7 data productivity, it can seem impossible to escape. But in this inspiring field guide to dropping out of the attention economy, artist and critic Jenny Odell shows us how we can still win back our lives. Odell sees our attention as the most more preciousand overdrawnresource we have. And we must actively and continuously choose how